Thursday
03Dec2009

SVA Panel: How Photo Business Practices Work

An open discussion with photography professionals. Mentors from the photo trades will address assignments & stock, licensing, copyright, metadata, releases, budgets & negotiation, and representation. Hosted by the MPS Digital Photography & BFA Computer Art Departments.

Panelists include:

*NY Mets photographer Marc Levine
*National Geographic photographer Ira Block
*Book-cover specialist Laura Wyss
*PhotoLibrary Creative Director Phyllis Giarnese
*VH1 Photo Editor Daniella Nilva
*ClampArt gallery owner Brian Clamp

 

So I went to this last night.  This is a summary of what I learned:


*metatdata is super important - put you name/date/job info in your files so that people can find you and give you credit for your work

*register your images with the US copyright office in DC so if your images are used without your permission you can have rights and get compensated

*Publishers almost never show faces on book covers (unless the book is about a specific person of course)-people from behind, cropped, and shadowy figures are commonly used.  Often times photo illustrations using more than one photo are used to make book covers.

*It might be best to get gallery representation in another city other than NYC and then from there NYC galleries will find you

*Always be working on personal projects on the side

*Stock photo agencies are your friend and can help you make some extra $

 

Also: there are a number of websites with helpful information for photographers.

Here are just a few:

Use Plus: http://www.useplus.com/index.asp?

ASMP: http://asmp.org/

APA: http://www.apanational.com/index.cfm?

NYIP: http://www.nyip.com/

NPPA: http://www.nppa.org/

EP: http://www.editorialphoto.com/



Monday
30Nov2009

great show: Doug DuBois @ Higher Pictures

Doug DuBois
All the Days and Nights

October 29 - December 05, 2009

Higher Pictures

764 Madison Avenue (between 65th/66th street)
New York, NY 10065

 

Sunday
29Nov2009

tony billy boy has been in prison for 25 years

 

Key points in this video: 1:14 suggestive flute assembling, 2:21 lunch awkwardness, 3:53 Eight second pause before he responds with "hello", 4:36 a full minute devoted to the ceramics studio scene